I’m in a private club for those seeking to indulge their certain inclinations or, in simple terms, a dungeon. I’ve never been to one, but that’s how I imagine it. A small stage, bracketed by David Linch-esque velvet curtains, more like a dim-lit alcove at the back of the drowning in darkness rest of the public area. Rows of wooden chairs scrape the floor, the invisible spectators rustle their intricate costumes and murmur in anticipation. The chains rattle and clank when tugged, the slaps on bare flesh mute the playful ones, the whimpers one by one get hushed with gags.
I cannot see any of it, as I’m on stage, in a blinding spotlight. I wear a sheer white blouse with nothing under, which is definitely the Aldous’s doing, as I never go bra-less. My tits, still small and perky, are on full display, and my nipples harden against the thin fabric, despite the heat of the lamp, directed straight at me. I look down and feel the play collar on my neck, preventing me from moving my neck too much, but I can still see a tartan mini skirt, high stockings, and Mary Janes. With my hands free, I take the opportunity to check if I have my panties on. I brush my behind under the skirt, and it’s all covered in fabric, some hideous old-school bloomers with frills and not my usual thongs or skimpy bikinis. Some hodge-podge Catholic schoolgirl outfit. The entire setup stinks of Aldous, but I can’t see him anywhere.
With a loud pop of the switch, the second spotlight points at another person on the stage, a tall dominatrix, in a real leather outfit, not some cheap pleather, covering her from head to toe. Her heels are high but sturdy, and not a fake collar in sight, because Dommes do not wear collars, as in the movies; we do. Her long hair tied up in a high ponytail. I cannot see her face, as it’s half-covered by a black mask.
Aldous threatened me many times, to take to a pro Domme to further my education. He claimed he loved me too much to do certain things to me. He never specified what things.
The black riding crop looks like an extension of the woman’s gloved hand. She puts something on the tip of the riding crop and offers it to me: two hair ties. She nods at my unruly hair, falling down my shoulders, ordering me to tie it into two ponytails. Dutifully, I lift my hands and separate the hair in two, but the skirt rides up, revealing the awful bloomers. I drop my hands to tug at the front of the skirt.
Swoosh! She hits across my butt and taps on my elbow, ordering my hands up. Another tap on the back of my neck, and I cross my hands there. The skirt rides up again, but I don’t care. I do, but I will do what I’m told. Because this is just the beginning. I feel the blood reddening my face—I don’t know who’s watching me in the dark. I can cry, I can beg, I certainly can’t leave. She won’t stop until she’s done with me.
She hits me hard three more times, over the bloomers for now, and points at my hair with the crop. I tie my hair in two ponytails, as I was told. The first tear drops on the sheer fabric and leaves a damp spot. Is it a tear of embarrassment or pain? I can’t tell. A tap on my elbow, and my hands return into their back of the neck position. I’m learning quickly.
The riding crop digs into the panties, pulling them down to my knees. Then pulls on the secret button that held that makeshift skirt together, and the skirt ends up on the floor in a red circle. My hands drop for a second to cover myself. Swish! Another reprimand, and the hands are up. I close my eyes; I don’t want to see. If I don’t see, I’m not a part of it, just my body is. Instead, the crop touches my face to force me to look up.
The stage help rolled out a spanking bench and placed it on the moving part. He gives it a twirl, to make sure it moves without fail. The plan is simple: to put me in full view, to show my face, smeared with tears and snot, or my behind, covered with welts and red blotches from the crop. The help rolls out two metal carts, covered with towels, akin to those used in surgeries, to hold the surgical instruments. I freeze; the riding crop, though a terrifying weapon, was just the beginning.
“I am Mistress Kat,” the woman speaks. “But you will not address me. I’m here as an extension of your Sir’s hand, and you will address only him. Do you understand?”
“Yes, Mistress.” I mumble.
A thunderous smack of something else she picked from the cart moves me from my spot.
“Yes, Sir!!” I yelp and raid the darkness. He must have been somewhere, to watch my embarrassment, to watch the education he paid for.
As on command, the spotlights pick two men at opposite ends of the front row, while the rest of the room kept in the dark: Aldous and Nick.